المشهد AL MASHHAD

Overview

PETTEE the performance is about marrying conversations about living and leaving, about sharing stories real and surreal, through movement and music and flight. 
 
Dancers and fabricated landscape lead the audience into an immersive world of movement and music and flight, where bodies unbend, lunge and soar, to unseal and unpack years of youth, where multiple futures, each magical, seemed possible. Plotting to make that dream of weightlessness real are writers Deepak Unnikrishnanand Karthika Naïr, composer Sarathy Korwar and his musicians, set and lighting designer Willy Cessa, joined by three choreographers/performers – Wanjiru KamuyuSaju HariAli Thabet – and illustrator Appupen (George Mathen) and rigger and props/inventor maker Simon Nyiringabo. 

PETTEE, in languages that are home to hundreds of millions of people (Malayalam, Tamil, Gujarati, Marathi, Hindi…), has multiple meanings but one that everyone recognises instantly: container. The word can also shift shape to become box, briefcase, casket, coffin, in all the shapes and colors and materials that the human brain and hands have made possible. It is a word with siblings and cousins across the world. Like petit which can also mean the insignificant, the young. Which can mean humble, unknown, mean, poor… petty. It is a word that is our spirit animal, for all of us with rootlessness, with displacement, in our blood. All of us who inherited shoots instead of roots, feet instead of home. Containers we carry. Containers that contain us. Containers that make us dream of flight.

Project Researchers

Deepak Unnkrishnan

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